• About
THE ARTIST
I grew up landlocked in Germany, always yearning for water I couldn´t see. In 2020 I sold everything tying me to one place and made the ocean my life and office. Now my work takes me to some of the most diverse places on earth — above and below the water.
Today I'm based between Fuvahmulah, Mo'orea, and the world — leading small-group expeditions, building and running my own dive center and creative hub, and using my camera to carry the deep blue to the surface.
My work is quieter than most. Fewer encounters, but better connections. More time, more meaning, more intention — both in the water and in the edit.
Multi-Award Winning Underwater PhotographerGlobal Expedition LeaderFounder & CEO · Liquid Shark DiversSSI Open Water Instructor Ambassador for Scubapro · Apnea Evolve · Weefine Dedicated Conservation Storyteller
• The Vision
VISUAL VOICE OF THE OCEAN
The ocean doesn't need louder advocates — it needs closer ones. My work is an invitation to slow down and look again, until the wild becomes personal. When people feel the deep blue, they protect it.
BY THE NUMBERS
9+years of oceanic nomad life
17+international awards
20+countries lived in
1800+scuba dives
QUESTIONS I GET ASKED A LOT
Depends on the expedition.
MO'OREA — no dive certification needed, but real swimming ability is. You'll cover at least 100 metres from the boat to the whales and back, sometimes against current, and you need to do it with enough energy left over to actually be present in the encounter.
Confident, strong open-water swimmer is the honest baseline.
Mask, snorkel, fins.
FUVAHMULAH — our iconic tiger dive site is very shallow (around 8m), so Open Water is
technically enough to join. But most of the other sites around the island are deep walls, sometimes with strong currents. To enjoy the full potential of what Fuvahmulah has to offer, I recommend at least your Deep specialty and some experience diving with currents in addition to your Open Water
certification.
If you're not there yet — we've got you. All our LSD guides are certified Open Water Instructors, passionate about teaching from Open Water through Divemaster, and happy to develop your skills further and prepare you for the deep wall dives around here. And if you've never been diving at all
but want to start, we'll introduce you to the whole underwater world through our Liquid Academy — just talk to us or explore what's on offer.
If you want to learn from me personally, shoot me a message beforehand so we can talk about availability.
Primary setup: Sony a1 II in a Nauticam housing with a 28–60mm and a WACP-C for wide-angle.
Secondary setup: Canon EOS R6 in an Isotta housing with a 16–35mm (for underwater) and a 100–400mm (for topside).
BHTS of my photos: DJI Osmo Action 6
Aerials: DJI Mavic Mini 4
But the gear is the least interesting part of the answer. My approach is about waiting for the right light, the right position, and the animal's decision to interact - or not. Everything else follows from that. If you're thinking of a mentorship with me, work with what you already have — I've taught the workflow on action cam footage as well as high-end rigs, and the principles don't change.
Yes — fine art prints are available in my shop. Printed carbon-neutral on museum-grade paper. 5% of every sale goes directly to SeaLegacy.
If you want a specific image at a custom size, or you don't see the
print you're after in the shop — please feel free to reach out. I do custom orders often, and I love when people come with a specific frame in mind.
For commercial licensing — editorial, advertising, brand campaigns — please email hello@sinaritter.com with the image, the intended use, and your deadline, and I'll come back with a custom quote within 5–7 days.
Yes — the main format is a multi-day 1:1 mentorship at Liquid Shark Divers in Fuvahmulah, year-round. Three main tiers — 3-day, 5-day, or 7-day — or built around what you specifically want to work on. In the water together. In the edit suite together. In the conversation together.
Not a workshop. A full transformation of how you see and shoot.
I also open a small number of 1:1 mentorship spots on my Mo'orea expeditions as an optional upgrade. If you want the whales and personal 1:1 time in the same week, that's the way — apply early, the spots go quickly.
Or, if you are looking for an editing coaching only, I offer online and offline editing sessions from anywhere via Zoom or in person in Fuvahmulah — in English or German.
Full details on all options on the Learn With Me page.
Every collaboration starts with the same question: does the story serve the ocean? When it does, photography and brand work pull in the same direction — building an audience that cares, not just consumes. I only work with brands whose values actually match how I see the water. Ambassadorship isn't about promoting products. It's about showing what care looks like in practice.
All my wildlife encounters are wild. My goal is meaningful, authentic connection — approaching each moment with patience and respect, capturing marine life as they are, free and undisturbed.
The animals decide whether we're worth their time. If the answer is no, we go home with no shot. That's fine.
I grew up landlocked in Germany. The first time I put my face in salt water, something in me realigned. Since then my whole life has rearranged itself around getting back to that feeling. Photography is how I bring it back to the surface — the interplay of colors, the way light behaves underwater, the fact that every dive reveals something you couldn't have imagined from land.
Photography is documenting what's there. Art is what happens when the documenting carries a feeling. My edit, my pacing, the patience before the shutter — those are the parts that turn a record into a story. The signature deep-blue palette isn't a preset. It's a set of decisions made repeatedly until they became instinct. That's the art.
Explorer. Always. The photograph is what comes back from the exploration. The art is what makes the photograph move people. The conservation is what the photograph is for. But underneath all of it is the same thing — the unconditional love for the ocean that made me leave everything behind to get here.
Currently
In Fuvahmulah for tiger season, prepping the next Mo'orea whale expedition, and editing the last trip's frames. The usual beautiful chaos.
