FOR BRANDS, EDITORS, AND PARTNERS.

I only work with brands whose values genuinely align with the ocean — gear, sustainable apparel, conservation-tied products, ocean travel. If your story serves the water, we're already halfway there. Right now I'm a proud brand ambassador for Scubapro, Apnea Evolve, and Weefine, and I've recently created work for brands like DiveVolk and MYMARINI. Some of these started as one-off campaigns and grew into long-term partnerships — that's my favorite way for it to happen, and it's no coincidence: when the alignment is real, one shoot is rarely enough. The work ranges from single campaigns to ambassadorships, custom content packages, and on-location productions.

My favorite thing about speaking is watching a room full of people fall a little bit in love with the ocean — some of whom have never put their face in salt water. That's the job: bringing the deep blue somewhere it doesn't usually reach. I speak at ocean-aligned conferences, photography events, dive industry gatherings, conservation events, women-in-creative-business events, and on podcasts. I'll travel for the right event — tell me what you're organizing and what you hope I bring to your stage. What's behind the talks: 6+ years of full-time underwater photography, global expedition leadership, a literature and philosophy degree that still shapes every story I tell, and the lived experience of building an creative-first dive business from absolutely nothing. I don't do slides full of theory. I talk about what actually happened — in the water, in the business, and everywhere in between.

Some of my favorite work started with someone saying "this might be a strange request, but…" — so if you're picturing something that doesn't fit the standard expedition or campaign format, you're in exactly the right place. Private shoots, brand-specific custom work, milestone ocean sessions, one-off commissioned creative — each commission is scoped individually, because each one is its own animal. Tell me what you're picturing, even if it's still half-formed. Especially if it's still half-formed. What I'm open to: → Private commissioned shoots — in-water or topside, on-location → Brand-specific productions outside campaign cycles → Milestone family or partnership ocean shoots — the moments that deserve more than a phone photo → Editorial commissions for publications wanting custom imagery → Documentary collaborations What I don't do: → Wedding photography that´s not ocean scenery related — a beautiful craft, just not mine → Posed studio work — my subjects don't take direction, and I've grown to prefer it that way → Anything requiring me to stay in one place for more then 3 months (I migrate — like my subjects)